Items to bring for the workshop:
safety glasses
gardening or other thick gloves
apron
metal shears or heavy-duty scissors
scrap copper and/or brass
ear plugs
sand paper
a file that you do not use in your metalsmithing work
Items to bring if you have them laying around:
your metalsmithing hand tools-pliers, steel block, raw hide mallet
old buttons, jewelry parts, beads, etc.
interesting tin cans
Wednesday, October 7, 2009
Tuesday, September 22, 2009
Ilona Smithkin Oil Workshop...October 10
Suggested Items from Ilona Smithkin:
Plain black round soft charcoal – 1 piece will work nicely
Sketchbook 8 x 10 of newsprint quality
Stretched Canvas 5 x 7 or 8 x 10 (wood backing for finished painting) or canvas board
Brushes – if you do not have oil brushes for this size painting, Ilona will be bringing some
Palette Knife – if you don’t have one, we have plenty at Black Creek
Wooden Palette
Palette Tin Cup for odorless turpentine to clean brushes
Paints:
Sketchbook 8 x 10 of newsprint quality
Stretched Canvas 5 x 7 or 8 x 10 (wood backing for finished painting) or canvas board
Brushes – if you do not have oil brushes for this size painting, Ilona will be bringing some
Palette Knife – if you don’t have one, we have plenty at Black Creek
Wooden Palette
Palette Tin Cup for odorless turpentine to clean brushes
Paints:
Grumbacher or Newton
Permalba White – Large Tube
Yellow Ochre
Cadmium Orange
Cadmium Red Light
Alizarin Crimson
French Ultramarine Blue
Viridian Dark Green
Cerulean Blue
Phalo Yellow Green (optional color)
Rags
Paper Towels
Class is for all levels. You will have fun, learn technique and have a finished picture when complete.
Permalba White – Large Tube
Yellow Ochre
Cadmium Orange
Cadmium Red Light
Alizarin Crimson
French Ultramarine Blue
Viridian Dark Green
Cerulean Blue
Phalo Yellow Green (optional color)
Rags
Paper Towels
Class is for all levels. You will have fun, learn technique and have a finished picture when complete.
Watercolor Workshop with Anne Patterson 10/9-10/10
Want to paint more exciting paintings or increase the quality of your competition paintings? Join us for an exploration into understanding COLOR through watercolor. Learn what makes color vibrate or how to use it to create a calm and serene image. Learn how to break free from those photograph colors that bind your work. Become more expressive and adept in your use and understanding of the impact of color choices in your work.
Supply List:
Professional Grade Watercolor
Recommend Colors:
Permanent, Quinacriquidone, or Winsor Red
Alizarin Crimson (Permanent)
Hansa Yellow
Aureolin Yellow
New Gamboge
Ultramarine Blue
Cobalt Blue
Burnt Sienna
Sap Green
Arches 140 Lb paper cut into 9x12 sheets or a 9x12 arches 140 block
Tracing Paper
Transfer Paper
Masking Tape
#8 and #10 round brushes
Paper Towels and a Water Container
Wednesday, August 5, 2009
September 26th: Collage with Wan Marsh
Materials List
1. You may use anything that you would like for your background. I prefer primed ¼” boards but you can use canvas pads in whatever size you wish. You can also use canvas boards or pre-stretched canvases. Just be sure the surfaces you bring have been primed with gesso by you, or you have bought it already prepared.
2. Matte Gel medium or Mod Podge. Can be purchased from art supply store. I will have this to share if you can not find it.
3. Acrylic paint in the following colors: white, black, blue, red, yellow, raw umber, and any other colors you care to use. I use Golden Artist colors. I will have some to share.
4. A few small to large brushes. You will need one at least
1” to 2” wide. Cheap chip brushes work great. (craft store)
5. Scissors for cutting paper.
Ephemera-
Paper in different colors and patterns,
Xerox copies of people, places, and anything you love!
I will also have images to share!
Optional - pastels, crayons, fabric, ribbon, fiber, lace, old books/magazines to tear, gift wrap, variety of papers. In other words anything that speaks to you!
Wan Marsh 704 525 2899
www.wanmarsh.com
Tuesday, August 4, 2009
Bob Feury's Watercolor Workshop
A Note from the Instructor:
This will be a painting class which explores color, composition, balance and textures. The student is free come up with his own design, or I can provide a design to anyone who wishes. I will provide numerous printed photos to work from. I will be displaying visual aids on the media screen in the class room
Suggested Supplies
Below are the supplies that Bob will use. These are Bob’s recommendation for supplies, not required supplies. Students should have comparable supplies.
Brushes:
No. 2 liner brush
No 12 round wash brush
No 8 pointed round brush
Paints:
Gamboge
Cerulean Blue
Yellow Ochre
Burnt Sienna
Alzarin Crimson
Permanent Green
Hookers Green
Pthalo Blue
Lunar Earth
No. 2 liner brush
No 12 round wash brush
No 8 pointed round brush
Paints:
Gamboge
Cerulean Blue
Yellow Ochre
Burnt Sienna
Alzarin Crimson
Permanent Green
Hookers Green
Pthalo Blue
Lunar Earth
Other materials:
Arches 140lb cold press watercolor paper
Drawing Pencil
Kneaded Eraser
Sketch Pad
Razor blades
Tissue
Water bowl
Pallette
Granulation medium
Hair Dryer
Arches 140lb cold press watercolor paper
Drawing Pencil
Kneaded Eraser
Sketch Pad
Razor blades
Tissue
Water bowl
Pallette
Granulation medium
Hair Dryer
Call Jordan at the Arts Center to register for Feury's class, 843.332.6234.
Sunday, July 12, 2009
Vicky McLain Workshop - April 10th
Oil Painting with Vicky McLain
What to bring:
8"x10" ultra smooth or portrait grade stretched canvas
Your favorite brushes suitable for an 8x10 canvas. (Vicky's favorites are #8 round bristle. #2 round bristle or #2 round sable.)
Odorless mineral spirits for brush cleaning
Paper towels
Q-Tips
Palette
Huggies Wipes
Oil Paint:
Cerulean Blue
Ultramarine Blue
Cadmium Yellow Light
Alizarin Crimson
Sap Green
Burnt Sienna
Ivory Black
Titanium White
Optional:
Table Easel
Medium - like Liquin
Call Bruce at the Arts Center to sign up, 843.332.6234.
If you have trouble finding the canvas, Vicky will have extra for sale.
Thursday, June 18, 2009
Mary Grayson Segars' Supply List - 2010
Oil Painting Supply List for Mary Grayson Segars' Workshop

Notes from Mary:
Paint:
I use only primary colors. I’d like everyone to try mixing from these three colors, but everyone is welcome to buy other, pre-mixed colors as well if they’d like to. Please come to class with a warm and cool version of each primary color. I use
---Ultramarine Blue (or French Ultramarine)—a dark, cool blue
---Cerulean Blue—a lighter, warm blue
---Alizarin Crimson—a dark, cool red
---Cadmium Red Medium---a warm red (can be omitted if necessary)
---Cadmium Yellow Deep---a warm yellow
---Cadmium Yellow Pale---a cool yellow (I rarely use this, so it can be omitted)
---Titanium White (large tube)
If you’re using acrylic paint, please purchase a black in addition to the above.
Palette:
Acrylic painters probably should purchase a stay-wet palette to avoid the frustration of quickly-drying paint.
Brushes:
Bring whatever you have. If you need to buy new ones, I suggest you get several oil/acrylic brushes---a round, at least one flat, and a filbert. Please don’t get anything smaller than 1/4 inch in width. All in the range of 1/4 “ to 1” is a good way to start.
Canvas:
I’d also like you to have some inexpensive surface to do exercises on. Try to find some 4 X 6 canvas boards; they’re very inexpensive, come in a pack, and are easy to find (try Wal-Mart).
Cleanser:
Cleanser:
Turpentine is awfully expensive, so I use paint thinner, which I buy in gallon jugs. Try to get the no-odor or low-odor kind. Bring it in some sort of container with a lid. I keep my cleanser in a large can (like bulk bean cans you can buy in the store). At the bottom, it’s nice to have something to scrape the brushes against. In the bottom of my can, I have inverted two empty tuna cans with holes in them; the holes allow the paint sludge to fall through. Again, you don’t need anything fancy.
If you’re painting in acrylic, all you will need is a container for water.
Paper Towels
Lots of photos
Paper Towels
Lots of photos
Look through them in advance to get an idea what you might like to paint.
Colored Pencil
Any color will do, but I usually use white.
Palette Knife
Portable easel, if you have one.
Please don’t hesitate to call me at 843 838-3299 or email me at amlmg@embarqmail.com if you have any questions. See you in class!
-Mary
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